Music
Freddie Spells presents his works here for the first time with sacred and spiritual inspiration. For his musical stories, he uses the entire register of a symphony orchestra and allows musical instruments and genres to merge into interesting, often powerful worlds of sound.
Influenced by composers such as Bach, Bruckner and his love of film music, these works are hard to resist and invite you to immerse yourself in
Freddie Spells’ music.
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10:59 Min
Immerse yourself in a fascinating world of sound in which electronic dub ambience meets classical music. It is an exciting sound experience that expresses hope and despair. – A battle of emotions.

10:59 Min
Freddie Spells was inspired by his own sound recordings made during his visit to the traditional Corpus Christi procession in Appenzell, Switzerland, in 2023. The recording of a brass band playing the famous song “Großer Gott wir loben Dich” by Ignaz Franz (1788) was particularly influential. These recordings formed the starting point for a musical work that invites the listener on a personal journey of discovery of their own divinity.
With the aim of creating a monumental work that brings the listener a little closer to heaven, Freddie combined powerful orchestral sounds with electronic elements. These merged into a sonorous journey that takes the listener into another dimension and culminates in an impressive, monumental soundscape.

10:59 Min
Accompanied by the orchestra, the guitar, violin and flutes alternately tell the story of farewell, longing and reunion in various solos and cleverly interwoven duets. What begins with the melancholy of the Largo in the first movement ends with the lightness and playfulness of a brilliantly composed waltz in the classical Scherzo in the third movement.

10:25 Min
In this solo piece, Freddie Spells manages to open up the heavens musically. What began as an experiment in piano runs, which lead the middle section of this piece to its first climax, leads to a story at the end of which there is a form of redemption or discovery. When an organ and alto and soprano voices merge into a single tapestry of sound at the end of this piece, which begins spherically, you understand the title.

11:23 Min
Driven by the events of February 2022, Freddie refers in this 11-minute piece to the start of the war in Ukraine, which began with Putin’s invasion. He uses a very unusual combination of two instruments that are rarely associated with each other, namely a symphonic church organ and an electric guitar.
Accompanied by the deep bass sounds of various synthesizers, the drama begins with the promising and powerful sounds of the organ and slowly swelling choral voices. Later on, the electric guitar forms the musical counterpart. Both together tell of the nature and schizophrenia of a war in which there can only be losers.

38:18 Min
With this requiem, Freddie Spells is venturing into new musical territory: jazz.
The original idea was to dedicate a musical work to his father, which thematizes his love of jazz. He took the virtual instruments to the extreme in order to give the listener, and not least his father, a touch of jazz in this work, which has a classical-symphonic feel to it.
This 5-movement work was inspired by the “New Orleans Jazz Funeral”.
A brass band opens the Requiem with a funeral march.
Freddie Spells’ Requiem unites mourning, hope and redemption. He interprets resurrection, the “Last Judgement” and forgiveness in his own way. The work is conceived for a brass band and a large symphonic wind orchestra and is accompanied by spherical sounds of electronic music.
Film-Projects
and more
FILM CLIP: “STARGIRL”
As part of a competition organized by “Spitfire Audio”, I composed the music for this film clip.
FILM-CLIP: “BAD LUCK”
As part of my training as an audio engineer, I dubbed this short film and composed the soundtrack. Some of the Foley I produced myself was used and I edited all the unedited dialog.
“Trail of Light”
This is my entry for the Berlin International Film Scoring Competition 2024.
DOLBY-ATMOS-MIX
“MISS MARINA DODGAL”
This is a Dolby Atmos music production that I produced as part of my final project during my training as an audio engineer.
I made various outdoor recordings and field recordings at Berlin Central Station and combined them into a kind of story, which I then set to music in a composition.
I recorded a violinist and a cello player myself in one of our professional recording studios at SAE-Berlin.
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